The last two weeks saw the release of the third installments of the first two titles to kick-off the
Before Watchmen line. Both comics were devised at the keyboard of writer
Darwyn Cooke, who handled illustration as well on MINUTEMEN, while tasking
Amanda Connor with art duties on SILK SPECTRE.
Three issues into it, these titles still represent the high watermark for the entire relaunch campaign, making it a shame that we are limited to six and four issues, respectively.
In MINUTEMEN #3, the story turns a bit nasty as
The Comedian gets another chance to show his true colors–and is seemingly rewarded for it.
The Silhouette's romantic life is revealed and the division between the real heroes and the publicity mongers widens. Cooke is once again dead-on in capturing a vintage feel that seems more inspired by the pulps than by the comics. His narrative is multidimensional and sophisticated without being verbose or pretentious. This is honest-to-goodness storytelling at its best.
With SILK SPECTRE #3, the summer of love comes to a violent conclusion with a clever cameo from The Comedian, but not before supplying copious amounts of hippy sex and nudity. If you'd have bet me that a teenaged
Silk Spectre in the hands of Cooke & Conner would be the most salacious title in a
Before Watchmen line that includes
Brian Azzarello penned adventures of
Rorschach and
The Comedian, an
Adam Hughes rendering of
Dr. Manhattan, and
Jae Lee's vision of
Ozymandias, I'd have lost money. Of course if you'd told me that SILK SPECTRE was going to be one of the best books in that line, I'd have never believed
that, either.
For some reason, I've not been paying attention to the number of issues granted each series, and it bums me out that we'll be getting only four issues of SILK SPECTRE and RORSCHACH, while being force-fed six issues of OZYMANDIAS. Maybe we'll get lucky and
Len Wein will quit the reboots like he quit the original series, and
Jae Lee will get a real writer worthy of his extraordinary talents. I'm glad that NITE OWL has been limited to four issues, as there has barely been enough of him in his own title to warrant much more, but judging from the superb DR. MANHATTAN I'll be missing a longer JMS script on that. I'd rather read six issues of RORSCACH than the COMEDIAN, but maybe those extra forty+ pages will give Azzarello and
J.G. Jones the space they need to bring
Eddie Blake's story back home. What started as cameo-laden mess has gotten more textured and I'm willing to stick it out.
Speaking of which, it seemed like fans of Grant Morrisson's FLEX MENTALLO would be tasked with tracking down the very expensive back issues of that seminal series forever, but sixteen years later and in a svelte $23 hardcover, DC finally reprinted it. My Amazon pre-order took an inexplicable month to arrive (as did my INVISIBLES omnibus), so I missed the rather unfriendly review that
The Comics Journal posted back at the start of August. That didn't stop me from replying, however, so if you want to read my opinion of their review, you can click
here.
FLEX was Morrison's first collaboration with artist
Frank Quitely, and was the first book in the author's hypersigil trilogy that also includes THE INVISIBLES and THE FILTH. The impact of breaking the fourth wall begun with ANIMAL MAN was further twisted with this highly original take on what was in essence a proto-meme: the
Charles Atlas ad. False history taken as fact mixed with other chaos magick elements like sigils and recontextualization make the
Man of Muscle Mystery an important chapter in the annals of the greater comcidom.
The fact that it's so enjoyable to read, too, is a great bonus.
And if some of the salaciousness of SILK SPECTRE comes under fire, DC can always redirect that attention from their
Before Watchmen line to their new
National Comics line and this amazing LOOKER cover, penciled by
Guillem March.
Looker was created by
Mike W. Barr and
Jim Aparo as a frequent ally of
The Outsiders who went vampiric, became a talk show host, and apparently survived a satellite bombing by
Talia al Ghul before re-entering DC continuity as a sanctioned agent of
Batman Incorporated. This new version of
Looker is a psionic vampire supermodel. The interior art by
Mike S. Miller reminds me of the
Luna Brothers and their work on ULTRA. The story is pure escapism, so as a one-shot, I think it succeeds. At the very least, it should get fanboys acquainted with Guillem's previous work on CATWOMAN or GREEN LANTERN: NEW GUARDIANS. I, for one, am excited for more March.
If you want to pick up an original published drawing by this talented Spanish artist, he's just launched a
crowd-funded sketchbook project that allows you to dictate the pose of your favorite scantily clad heroine.
For mature readers, indeed!
